Norse mythology, as found in the Elder Edda and the Younger Edda, includes such figures as Odin and his fellow Aesir, and dwarves, elves, dragons, and giants. īeowulf is among the best known of the Old English tales in the English speaking world, and has had deep influence on the fantasy genre several fantasy works have retold the tale, such as Chinese traditions have been particularly influential in the vein of fantasy known as Chinoiserie, including such writers as Ernest Bramah and Barry Hughart. The Panchatantra ( Fables of Bidpai), for example, used various animal fables and magical tales to illustrate the central Indian principles of political science. Hindu mythology was an evolution of the earlier Vedic mythology and had many more fantastical stories and characters, particularly in the Indian epics. Various characters from this epic have become cultural icons in Western culture, such as Aladdin, Sinbad and Ali Baba. The most well known fiction from the Islamic world is One Thousand and One Nights (Arabian Nights), which is a compilation of many ancient and medieval folk tales. This ability to find meaning in a story that is not literally true became the foundation that allowed the modern fantasy genre to develop. Plato used allegories to convey many of his teachings, and early Christian writers interpreted both the Old and New Testaments as employing parables to relay spiritual truths. Platonic teachings and early Christian theology are major influences on the modern fantasy genre. Both works involve complex narratives in which humans beings are transformed into animals or inanimate objects. Ovid's Metamorphoses and Apuleius's The Golden Ass are both works that influenced the development of the fantasy genre by taking mythic elements and weaving them into personal accounts. The comedies of Aristophanes are filled with fantastic elements, particularly his play The Birds, in which an Athenian man builds a city in the clouds with the birds and challenges Zeus's authority. Myth with fantastic elements intended for adults were a major genre of ancient Greek literature. Egyptian funerary texts preserve mythological tales, the most significant of which are the myths of Osiris and his son Horus. The Tales of the Court of King Khufu, which is preserved in the Westcar Papyrus and was probably written in the middle of the second half of the eighteenth century BC, preserves a mixture of stories with elements of historical fiction, fantasy, and satire. Genres of romantic and fantasy literature existed in ancient Egypt. The ancient Babylonian creation epic, the Enûma Eliš, in which the god Marduk slays the goddess Tiamat, contains the theme of a cosmic battle between good and evil, which is characteristic of the modern fantasy genre. Fantasy elements occur throughout the ancient Akkadian Epic of Gilgamesh. History Įlements of the supernatural and the fantastic were a part of literature from its beginning. Horror primarily evokes fear through the protagonists' weaknesses or inability to deal with the antagonists. Despite both genres' heavy reliance on the supernatural, fantasy and horror are distinguishable from one another. Authors have to rely on the readers' suspension of disbelief, an acceptance of the unbelievable or impossible for the sake of enjoyment, in order to write effective fantasies. A science fiction narrative is unlikely, though seemingly possible through logical scientific or technological extrapolation, where fantasy narratives do not need to be scientifically possible. Fantasy is distinguished from science fiction by the plausibility of the narrative elements. Many fantasy authors use real-world folklore and mythology as inspiration and although another defining characteristic of the fantasy genre is the inclusion of supernatural elements, such as magic, this does not have to be the case.įantasy has often been compared to science fiction and horror because they are the major categories of speculative fiction. In writing fantasy the author uses worldbuilding to create characters, situations, and settings that may not be possible in reality. This differs from realistic fiction in that realistic fiction has to attend to the history and natural laws of reality, where fantasy does not. Magic, magic practitioners ( sorcerers, witches and so on) and magical creatures are common in many of these worlds.Īn identifying trait of fantasy is the author's use of narrative elements that do not have to rely on history or nature to be coherent. Most fantasy uses magic or other supernatural elements as a main plot element, theme, or setting. " The Fairy of the Dawn" in The Violet Fairy Book (1906) Fantasy
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A handful of Trace Adkins's most popular tour albums and songs are provided below. Trace Adkins - Arlington (Live Studio Performance) 29,983 views Watch Trace's live studio performance of 'Arlington,' honoring all of the men and women in the armed forces, past and. Aside from 'Ladies Love Country Boys', most of other songs from 'American Man, Greatest Hits Volume II' have also become recognized as a result. 'American Man, Greatest Hits Volume II' features the single 'Ladies Love Country Boys' which has become the most requested for music lovers to see during the shows. After that, Trace Adkins published the hugely famous album 'American Man, Greatest Hits Volume II' which is comprised of some of the most well-known songs from the Trace Adkins discography. I never thought that this is where I'd settle down I thought I'd die an old man back in my hometown They gave me this plot of land Me and some other men, for a job well done There's a big White House sits on a hill just up the road The man inside, he cried the day they brought me home They folded up a flag and told my Mom and Dad 'We're proud of your son' And I'm proud to be on this peaceful. The song 'Big Time' quickly became a hit and made Trace Adkins one of the newest emerging talents at that time. (C/G) (G) (C/G) Yeah, (Em) dust to dust, Don't (D) cry for us: (NC) We made it to Arlington.Trace Adkins arrived on the Country / Folk scene with the appearance of the album 'Big Time' published on October 21, 1997. We can (D) rest in peace We are the (C) chosen ones: (D) We made it to (G) Arlington. Fiddle Solo We're (Em) thankful for those (D/F#) thankful for the (C) things we've done. Repeat Chorus- And (Em) everytime I (D) hear (G) twenty (G/F#) one (Em) guns, (C) I know they brought another (G/B) hero (C) home to (D) us. And it (G/F#) gave (Em) me a chill when he (C) clicked his heels, (D) And saluted (G) me. ( C/G) He (G) recognized me (G/C) on the first day (G) I came in. And when (G/F#) we finally (Em) found that cross, He said: "Son, this is (C) what it costs (D) to keep us (G) free." (C/G) Now ( G) here I am, a ( G/C) thousand stones a( G)way from him. (C/G) We (G) searched all day to (C/G) find out where my (G) granddad lay. ( C/G) ( G) ( C/G) I re(G)member Daddy (C/G) brought me here when (G) I was eight. I can ( D) rest in peace I'm one of the ( C) chosen ones: ( D) I made it to ( G) Arlington. Trace Adkins wrote this song, Arlington, from the perspective of a soldier who dies in battle defending freedom and is buried at Arlington National. I'm ( Em) thankful for those ( D) thankful for the ( C) things I've done. I'm on ( C) sacred ground and I'm ( D) in the best of ( G) company. They ( G/F#) folded ( Em) up a flag and told my ( C) Mom and Dad: ( D) "We're proud of ( G) your son." And I'm ( C) proud to be on this ( D) peaceful piece of ( G) property. ( C/G) The ( G) man inside, he ( C/G) cried the day they ( G) brought me home. ( C/G) There's a ( G) big White House sits ( C/G) on a hill just ( G) up the road. They gave ( G/F#) me this ( Em) plot of land, Me and some ( C) other men, ( D) for a job ( G) well done. ( C/G) I ( G) thought I'd die an ( C/G) old man back in ( G) my hometown. ARLINGTON Trace Adkins Written by Jeremy Spillman and Dave Turnbull Capo 3rd Fret (To Match Recording) Intro: ( G) ( C/G) ( G) ( C/G) I ( G) never thought that ( C/G) this is where I'd ( G) settle down. The same is the case with the sound card set in your PC. You know how Superman did not know about the extent of his superpowers until he got to try them. You can slide to increase or decrease the volume. Just add it to chrome, and the plug-in will be available right next to the search bar. Chrome Volume booster got to a quick milestone of more than 500000 users, and the users have gone gaga over its ease-of-use, vis a vis, the effectiveness. BOOM 3D VS FXSOUND WINDOWSThe booster is available for Chrome on Windows 10. This Chrome plug-in works on the sound of any tab- one tab at a time. If you decide to go for a Chrome volume booster, you will have access to an intuitive design and a much convenient process. When your conventional windows speakers and headphones fail to reign over the noise, you can use this extension to amplify the volume level to a whopping 1000%. The easiest and most reliable sound booster, Chrome Volume Booster, is like a champion that defends your right to hassle-free entertainment. Let's check out the best 11 sound booters for WINDOWS! Part 1: Best 11 Volume Boosters for Windows
According to a "Distractions Challenge Teen Drivers", article published by USA Today on January 26, 2007, teen drivers have a 400% higher chance of being in a texting related car crash than adults. While it is certainly the case that only young adults are the ones caught texting and driving, they are statistically more likely than adults to do so. If the average speed of a driver is 55 mph and they take five seconds to read a text, this means that the car travels the entire length of a football field without the driver looking at the road! Despite this, may adults and teens still engage in dangerous distracted driving behaviors. This statement may sound unrealistic, until you consider the basic math we can apply to a distracted driver that is texting. Negligence is defined by the four types of evidence that must be presented: "the defendant's duty of care toward you, the defendant's breach of duty, actual and proximate causation, and actual damages."Īccording a study done by The National Highway Safety Administration in 2011, texting and driving is 6 times more likely to get you in an accident than drinking and driving. According to the Moll Law Group, personal injury cases due to distracted driving must prove negligence. These numbers are even more alarming, as this means that over 78% of all accidents due to distracted drivers can be attributed to texting while driving. Out of the 421,000 people who are seriously injured each year in crashes that involve a distracted driver, over 330,000 are equated to texting while driving. This statistic means that 64% of all the road accidents in the United States are caused by some distraction brought on by technology. According to a 2012 "Distracted Driving and Roads Survey" conducted by NHTSA, 1.6 million accidents involve cellphone use. It is known that over 2.5 million people in the U.S. Distracted driving do to technology is one of the major causes of accidents in our modern times, particularly texting while driving. |
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